The ten tracks on Miss Anthropocene sonically are perplexing, shifting between harsh and almost metal instrumentals, to light and clear ethereal vocals. ‘My Name is Dark (Art Mix),’ is hazy and dark using harmonizing screams as the chorus. “I’m not gonna sleep anymore, that's what the drugs are for,” rings throughout the song. ‘Delete Forever’ shifts the focus from climate change to addiction, vocals clear and untouched as a banjo beat plays as Grimes laments over friends she has lost to opioids and heroin. Embodying a futuristic Patsy Cline, the acoustic ballad shows that without all the digital producing and theological metaphors, Grimes can create deeply touching and honest music.  Though each song brings a unique perspective to various issues, I wish there was more consistency throughout the album. When listening to her previous work you know that Grimes is working to accomplish something: having to constantly prove herself in the music industry. You can hear it in her music: instinctive self expression and artistic freedom that drives Grimes to make synthetic masterpieces. Miss Anthropocene is complex.  I don’t know what Grimes is trying to achieve, as there's less of a known purpose and goal, but instead, more of a mystery that can’t be solved and isn’t meant to be.